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first theme of the exposition was played, and the LD signal
became silent at around 60–75 seconds in the quiet part of
the second theme. As the symphony continued, LD induction
also occurred in response to the sound of music with the char-
acteristic LD profile. The intense changes of LD intensity in the
coda reflected the liveliest part of the music at around 390–
500 seconds. To clarify the mechanism of the observed phe-
nomenon, the temporal waveform of the music was trans-
formed into a band-filtered short-time root-mean-square (RMS)
value corresponding to the acoustic power. The values were
calculated in the frequency range of 100–1000 Hz with a mean
running time of 1.0 seconds, and plotted with respect to the
playing time of the music (Figure 7a, red curve).[39] Quite inter-
estingly, this profile fitted well with the observed LD profile,
thus indicating that AN nanofibers in the solution clearly align
and relax dynamically in response to the sound of the music.
Some deviations of the peaks and gradient in the LD profile
from the RMS profile were observed, but may be explained by
such factors as induction and relaxation times of the LD re-
sponses for the dynamically changing complex sound waves.
The higher concentration of the AN molecule allows formation
of the longer nanofibers, which have slower responses of
rising and relaxation in their alignment in solution (Figure 3d),
and brought about a broadening of the observed peaks giving
low-resolution LD profiles (Figure 7a and Figure S11). For ex-
ample, the characteristic two peaks, corresponding to the first
and second four-note motifs, are unified in a single peak with
the maximum at 16 seconds in the double concentration of
AN. Hence, we conclude that the observed harmonization, the
dynamic alignment of nanofiber to the sound of music, charac-
terizes short-scaled AN nanofibers capable of moving quickly
as well as reducing entanglements of the fibers in the solution.
As expected from these experimental results, the solution of
AN nanofiber also showed the characteristic acoustic LD pro-
files for a variety of music. A representative example of the LD
profile obtained from “Symphony No. 40 in G minor, K. 550,
first movement”, written by Wolfgang Amadeus Mozart, is
shown in Figure 7b. In this music, the AN nanofiber also
aligned in response to the changes of the acoustic streaming
flows in the solution, generated by the sound and silence of
the music to give the characteristic profile.
Figure 6. Schematic illustration of potential acoustic streaming in a fluid
medium caused by exposure to a sound wave. Side panels show velocity
gradients that occur owing to the crossing of downward and upward
streaming flows, and friction of a laminar flow with the glass surface of the
cuvette in the boundary layer.
ing of sound and silence in seconds. For example, if the
sample solution containing AN nanofiber was exposed to
120 Hz sound for 3.0 seconds with a 3.0 second interval of si-
lence, and subsequent 3.0 seconds of sound, the LD profile
showed two clear peaks at 11.2 and 14.5 seconds with LD in-
tensities of ꢀ0.009 and ꢀ0.015, respectively; nevertheless,
both the responses also showed time lags after the sound irra-
diation (Figure 5b). The observed peak interval corresponds to
the applied period of silence, so the results indicate that dy-
namic alignments of AN nanofiber occurred in response to the
changes in acoustic streaming of fluid, generated by the dis-
continuous irradiation of the sound wave, at light pass of the
LD spectroscopy.
Dynamic alignment of a supramolecular nanofiber with the
sound of classical music
With the above LD responses of AN nanofibers to the sinusoi-
dal sound waves in mind, we conducted LD spectral measure-
ments of an n-hexane solution of the nanofiber while playing
classical music. We initially chose Symphony No. 5 in C minor,
first movement: allegro con brio, written by Ludwig van Beet-
hoven, which is one of the most well-known symphonies in
the world.[38] The first movement of this symphony has a typical
sonata form and can be divided into four parts: exposition
with a repeat, development, recapitulation, and coda. It begins
by stating a distinctive four-note short-short-short-long motif
twice (eight-note motif) to compose the introductory part of
the music, which is known to represent “fate knocking at the
door” (Figure 7a, musical score). When we conducted a time
course LD spectral measurement, monitoring at 403 nm, for
the n-hexane solution of AN nanofiber while playing the
music, a characteristic LD profile for the melody was obtained
with high reproducibility (Figure 7a, black curve). Representa-
tively, the first and second four-note motifs in the introductory
part gave strong LD peaks at 11 and 14 seconds, respectively.
The sample solution then provided two peaks at 25 and
31 seconds, and multiple peaks at 48–60 seconds when the
Conclusion
A supramolecular nanofiber composed of anthracene deriva-
tive (AN) molecules, dissolved in an n-hexane solution, is capa-
ble of sensing weak fluid flows generated by audible sound
waves through its hydrodynamic alignment. The sample solu-
tion provided characteristic linear dichroism profiles under
playing of classical music with high reproducibility, in which
the nanofiber aligned in harmony with the sound of the music.
The sound vibrations of the music, which generate acoustic
streaming flows in liquid media, most likely allowed shear-in-
duced alignments of the AN nanofiber. This study encourages
investigation of the newly explored dynamics of molecules
and macromolecules in sounds, and we hope this will develop
into new acoustic nanotechnologies.
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ChemPlusChem 2014, 79, 516 – 523 520